6 Best Wireless Microphones for Singers in 2023

Wired microphones can be a hassle for singers who want to move around on stage. That’s why wireless handheld microphones are becoming increasingly popular. They offer freedom of movement and convenience for performers. More importantly, they eliminate the hassle of tangled cables and allow you to move around and interact with the audience without compromising your sound quality. In this article, we have reviewed six of the best wireless microphones for singers available on the market today. 

What are the different types of wireless microphones used by singers?

Though there are more, the most common types of wireless microphones used by singers are dynamic handheld and lavalier microphones. Handheld wireless microphones are preferred by singers performing on stage or in front of a live audience. They look like regular stage vocal microphones but with the added benefit of being wireless. They have a cardioid polar pattern, which means they pick up sound from the front while rejecting sound from the sides and back, making them ideal for live music performances.

Related: How to Get Rid of Background Noise on Microphone

Lavalier microphones, on the other hand, are discreet and often used by singers who need to move around freely while performing. They are commonly used in TV shows where the microphone needs to be hidden from view. Lavalier microphones are basically attached to someone’s clothing or lapel, as they have clips that can be easily attached and detached.

How does a wireless microphone work?

A transmitter and a receiver are the two main components of a wireless microphone system. The receiver is typically connected to the sound system, while the transmitter is typically attached to a handheld microphone capsule. The transmitter is responsible for converting the audio signal from the microphone into a radio frequency signal, which is then transmitted wirelessly to the receiver. The receiver, on the other hand, receives the radio frequency signal and converts it back into an audio signal that can be amplified and played through the sound system. This wireless setup allows for freedom of movement and eliminates the need for cumbersome cables, making it ideal for performances and presentations.

Some wireless microphones use digital technology to improve sound quality and reduce interference from other wireless devices. Also, some microphone system is known to have more than one transmitter, allowing multiple people to use the same sound system without having to pass around a single microphone.

A buying guide for the best wireless microphone for singers

For singers, especially those who perform on stage, a wireless microphone system that has a cardioid polar pattern microphone is a great option. This type of microphone picks up sound from the front and reduces background noise, making it ideal for live performances. So, which is why we won’t see any Lavalier wireless microphones on our list, and this buying guide will focus on handheld wireless microphones with a cardioid or supercardioid polar pattern. 

Sound Quality

A wireless microphone system offering superior sound quality should have a microphone capsule of superior quality, digital transmission, 24-bit audio resolution, and balanced outputs. This combination of elements will ensure that the voice is reproduced accurately without any interference or dropouts.

Battery life

When you talk about a wireless microphone system, its battery life is an important factor to consider. The battery life of handheld wireless microphones with a cardioid polar pattern should be long enough to last through an entire performance or event without interruption. It is also important to consider the type of batteries used and whether they are easily replaceable or rechargeable.

Some systems use rechargeable lithium-ion batteries, which can provide longer battery life and are more cost-effective in the long run. And there are also systems that use standard AA batteries, which are easily replaceable and can be found at most stores, so you don’t have to spend time recharging them.

Ultimately, choosing the right battery system for your needs depends on the length and frequency of your performances, as well as your budget and personal preferences. It is recommended to choose a wireless microphone system with a battery life indicator to avoid unexpected shutdowns during use. 

Operating Range

The operating range is another important factor to consider when choosing a wireless microphone system. This refers to the distance between the transmitter and receiver at which the system can effectively transmit audio. If you plan on performing in larger venues or outdoor spaces, it is important to choose a system with a longer operating range to ensure consistent and clear audio transmission. However, if you primarily perform in smaller venues, a shorter operating range may be sufficient and more cost-effective. Some systems also offer adjustable power levels to help optimize the operating range for different environments. 

Wireless Frequency Range

You want a wireless microphone that can operate on a clear and stable frequency without interference from other devices. Different systems operate on different frequencies, and it is important to choose a system that operates on a legal frequency and is available in your area. Additionally, some systems offer the ability to switch between multiple frequency bands, which can be useful in areas with high levels of interference. You should also avoid using multiple wireless microphones on the same frequency or channel.

Signal-to-noise Ratio

The signal-to-noise ratio should also be taken into account when choosing a wireless microphone system. This refers to the ratio of the desired audio signal to any unwanted background noise or interference. A higher signal-to-noise ratio will result in clearer and more accurate sound reproduction, making it easier for your audience to hear and understand what you are saying or performing. Some systems may offer features such as noise reduction or automatic gain control to help improve the signal-to-noise ratio. 

Scalability

The scalability of your wireless microphone system should be taken into account as well. If you plan on expanding your setup in the future, it’s important to choose a wireless microphone system that can accommodate additional microphones, receivers, antennas, or accessories. This will save you money and time as you won’t need to buy an entirely new system.

List of the best wireless microphone for singers

1. Shure GLXD24R/SM58
2. Shure BLX288/PG58
3. Sennheiser EW 500 G4
4. Audio-Technica ATW-321/C710DE2
5. AKG Pro Audio WMS470
6. Electro-Voice RE3-ND96

Shure GLXD24R/SM58

The Shure GLXD24R/SM58 is a reliable, top-of-the-line wireless microphone system with exceptional sound quality. It consists of the legendary and industry-standard SM58 vocal microphone capsule known for its clear sound reproduction. That being said, if desired, you have the option to choose an alternative microphone capsule, such as the SM86, Beta 58A, or Beta 87A, with the system.

This Shure wireless microphone system consists of the GLXD4R rack-mountable receiver and the GLXD2 handheld transmitter with the SM58 vocal microphone capsule. However, do not mistake the Shure GLXD24R/SM58 wireless handheld microphone system with other wireless systems from the same brand, such as the GLXD24/SM58. They both use the same SM58 vocal microphone capsule, the same 2.4 GHz frequency band, and share a bunch of the same features, but they also have some notable differences as well.

The main difference is that the GLXD24R/SM58 has a metal rack mount receiver (GLXD4R), while the other two have a plastic desktop receiver (GLXD4). The metal rack mount receiver is more durable, stable, and easily integrated into a professional sound setup. Nevertheless, this Shure wireless microphone system is very versatile, giving you different options to build your ideal setup depending on your needs and preferences.

The GLXD4R rack mount receiver features automatic frequency management and a high-resolution backlit LCD screen for displaying real-time battery run time, various settings, and other information. It also has additional features, such as removable antennas and the ability to network multiple receivers together for larger setups. In fact, you can mount up to 9 GLX-D receivers or 11 if the conditions are optimal, making it a great choice for larger events or performances.

The GLXD2 handheld wireless transmitter pairs seamlessly with the mount receiver, providing clear and reliable sound quality with up to 16 hours of continuous use on one rechargeable battery. Additionally, the transmitter has a durable construction and a comfortable grip, making it ideal for extended use during live performances or events. The GLXD2 also has an adjustable gain control and an operating range of up to 200 feet, giving performers and presenters the freedom to move around on stage without sacrificing sound quality. This wireless microphone system is ideal for small to medium-sized venues, and if you expand the system, it can also be suitable for larger venues.

Shure GLXD24R/SM58 Specifications

• System type: Digital UHF
• Operating range: Up to 200 ft. (60 m) line-of-sight
• Frequency range: 2.4 GHz
• Microphone type: Dynamic
• Microphone polar pattern: Cardioid
• Microphone frequency response: 50 Hz – 15 kHz
• Microphone Output impedance: EIA rated at 150 Ω (300 Ω actual)
• Microphone sensitivity: -54.5 dBV/Pa
• Transmitter type: Handheld
• Transmitter Gain adjustment range: -10 dB to +20 dB
• Transmitter battery: Rechargeable lithium-ion
• Transmitter battery life: Up to 16 hours
• Receiver type: Metal rack mount
• Receiver output: XLR, 1/4″ TRS
• Receiver display: Backlit LCD
• Receiver Dimensions: 42 mm x 197 mm x 163 mm (H x W x D)
• Receiver Power Supply: 15 V DC @ 600 mA, supplied by external power supply
• Channel selection: Auto/Manual
• Simultaneous systems per band: Up to 11 channels

Pros

• Great and accurate sound reproduction
• SM58 microphone capsule
• Reliable wireless signal
• Automatic frequency management
• True digital diversity technology.
• Long battery life (16 hours) with a Lithium-ion rechargeable battery
• Durable & stable metal rack mount receiver
• Backlit LCD display that shows battery status & other information
• Lockable interface that prevents accidental setting changes

Cons

• Comparatively expensive

What’s in the box?

GLXD4R Rack Mount Receiver | GLXD2 Handheld Transmitter with SM58 Cardioid Dynamic Microphone Capsule | Microphone Clip | SB902 Rechargeable Lithium-ion battery | USB charger cable | 2 x Detachable Antennas| Rack mount Hardware | Carrying Case | User Guide

Verdict

It is no surprise that Shure makes some of the best wireless microphones on the market. Their GLXD24R/SM58 wireless microphone system is no exception. It offers versatility, reliability, and exceptional sound quality. However, the system comes with a higher price tag compared to other wireless microphone systems on the market. Despite this, it is still one of the best wireless microphones for singing, speeches, and performances and is a worthwhile investment for those who require top-notch audio quality and reliability.

Shure BLX288/PG58

The next entry on our list is also a Shure wireless microphone system, the BLX288/PG58. This dual-channel system has two BLX2 handheld transmitters with PG58 dynamic cardioid microphone capsules and a BLX88 wireless receiver. The PG58 is optimized for vocal applications and delivers clear and natural sound quality. The transmitters have an ergonomic design and feature an on/off switch, a battery status indicator, and an adjustable gain control.

The BLX88 dual-channel wireless receiver can receive signals from both transmitters simultaneously. It also has a durable metal chassis and features two XLR and two 1/4 inch outputs for connecting to mixers, speakers, or amplifiers. The LCD display on the receiver shows the group, channel, frequency, and audio level of each transmitter. Additionally, the BLX88 system has a one-touch QuickScan frequency selection feature that quickly locates the best open frequency for uninterrupted performance. This makes the setup process fast and easy without having to tune the frequencies or deal with interference issues manually.

As for the operating range, the Shure BLX288/PG58 wireless microphone system has a range of up to 300 feet. This allows performers to move around freely on stage without worrying about losing signal or experiencing dropouts. As for battery life, the system boasts a great battery life of 14 hours with two AA batteries per transmitter. This long battery life will ensure that you won’t have to worry about running out of power in the middle of a performance. And for some reason, if you do, you can replace the batteries quickly and easily.

Furthermore, this Shure wireless singing microphone system is versatile and scalable, just like the GLXD24R/SM58 system. The BLX288/PG58 system allows for up to 12 compatible systems to be used simultaneously, making it perfect for larger performances or events.

Shure BLX288/PG58 Specifications

• System type: Analog UHF
• Operating range: Up to 300 ft line-of-sight
• Frequency range: 2.4 GHz
• Microphone type: Dynamic (moving coil)
• Microphone polar pattern: Cardioid
• Microphone frequency response: 60 Hz – 15 kHz
• Microphone Output impedance: EIA rated at 150 Ω (290 Ω actual)
• Microphone sensitivity: -53 dBV/Pa
• Transmitter type: Handheld
• Transmitter Gain adjustment range: 10 dB
• Transmitter battery: 2 AA batteries (1.5V alkaline)
• Transmitter battery life: Up to 14 hours
• Receiver type: Metal rack mount
• Receiver output: XLR, 1/4″ TRS
• Receiver display: Backlit LCD
• Receiver Dimensions: 40 mm x 388 mm x 116 mm (H x W x D)
• Receiver Power Supply: 12–15 V DC @ 320 mA, supplied by external power supply
• Channel selection: Auto/Manual
• Simultaneous systems per band: Up to 12 channels

Pros

• Fairly reliable and accurate sound reproduction
• Comes with two PG58 wireless microphones
• Long line-of-sight wireless operating range
• Fairly long battery life (14 hours)
• Easy-to-use and setup
• QuickScan technology
• Durable and sturdy design
• User-friendly LCD screen shows battery status, and other information

Cons

• Receiver may not fit in some standard racks

What’s in the box?

BLX88 dual-channel receiver | 2 x BLX2 wireless handheld transmitters with PG58 dynamic vocal microphone capsules | 4x AA batteries (2 x for each transmitter) | 2 x microphone clips | Power Supply | User Guide

Verdict

The Shure BLX288/PG58 is a great choice for performers who need to switch between two microphones on stage, and its simple setup makes it a popular option for singing in churches, schools, and other venues. Also, it’s worth noting that due to its larger size, the BLX88 receiver may not fit in some standard racks. It has nearly twice the width of the GLXD4R rack-mountable wireless receiver from the GLXD24R/SM58 system.

That being said, the BLX288/PG58 is a far more affordable wireless microphone system and still delivers high-quality sound with reliable performance. Its dual-channel receiver allows for seamless switching between two microphones, making it ideal for duets or performances that require multiple vocalists. Overall, the BLX288/PG58 is one of the best wireless singing microphone systems and a great option for both beginners and professionals alike. 

Sennheiser EW 500 G4-935

The Sennheiser EW 500 G4 wireless microphone system is a high-quality vocal set designed for singers, speakers, and performers who require a wireless solution with up to 32 channels and a wide frequency range. The system consists of an SKM 500 G4 handheld microphone with an E 935 dynamic cardioid capsule, an EM 300-500 G4 rackmount receiver, and a GA3 rackmount kit. 

The handheld microphone, the SKM 500 G4, has a sleek black housing and a balanced feel and the E 935 cardioid dynamic capsule offers a natural sound with good feedback rejection. The microphone also has a mute switch and an infrared interface for syncing with the receiver. Additionally, you have the option to use other capsules with the SKM 500 G4, allowing for versatility in capturing different types of audio. 

This EM 300-500 G4 receiver has a solid metal casing with a intuitive OLED display that shows details like frequency, battery life, mute status, etc. It has a true diversity of reception that ensures stable transmission and reception even in challenging environments. Plus, it has an Ethernet port that allows you to connect to the Wireless Systems Manager (WSM) software, enabling you to manage multiple channels. Besides that, it has an easy-to-use scan and sync function that automatically finds and assigns the best available frequencies.

Additionally, the EM 300-500 G4 is rack mountable, so the accompanying GA3 rack kit allows you to mount the receiver in a standard 19-inch rack. It also comes with a mic clip and two rod antennas. The system operates in the Aw+ frequency range of 470-558 MHz, which is compatible with most countries. As for operating range, this wireless microphone system has a range of up to 100 meters (or 330 feet), which is the same as the Shure BLX288/PG58 but more than the Shure GLXD24R/SM58 microphone system. However, the main drawback of this Sennheiser wireless microphone system is its battery life. At only up to 8 hours, it is only half the battery life compared to the two microphone systems mentioned earlier and falls short compared to other models on the market. 

That said, the Sennheiser EW 500 G4 wireless microphone system is an excellent choice for anyone who needs a high-quality wireless vocal set. Also, it offers a wide frequency range and exceptional sound quality, making it suitable for professional performances and recordings. 

Sennheiser EW 500 G4 (e 935 capsule) Specifications

• System type: UHF
• Operating range: Up to 330 ft line-of-sight
• Frequency range: 2.4 GHz
• Microphone type: Dynamic
• Microphone polar pattern: Cardioid
• Microphone Sound Pressure Level (SPL):154 dB SPL
• Microphone sensitivity: 2.5 mV/Pa
• Transmitter type: Handheld
• Transmitter battery: 2 AA batteries (1.5V alkaline)
• Transmitter battery life: Up to 8 hours
• Receiver type: rack mount
• Receiver output: XLR, 1/4″ TRS
• Receiver display: OLED display
• Receiver Dimensions: 43 mm x 212 mm x 202 mm (H x W x D)
• Receiver Power Supply: 12 V DC, supplied by external power supply
• Channel selection: Auto/Manual
• Simultaneous systems per band: Up to 32 channels

Pros

• Professional-level sound quality
• Interchangeable capsule options
• Versatile features
• Reliable wireless connectivity
• Reactively long transmission range
• Durable design
• Wireless Systems Manager (WSM) control software support

Cons

• Limited battery life
• Comparatively pricy

What’s in the box?

SKM 500 G4 handheld microphone | e 935 dynamic cardioid microphone capsule | EM 300-500 G4 rackmount receiver | GA3 rackmount set | MZQ 1 microphone clamp | 2 rod antennas | power supply | 2 AA batteries | User Guide

Verdict

Overall, the Sennheiser EW 500 G4 wireless microphone system is a high-end product that offers professional-quality vocals with reliable connectivity and versatile features. It is ideal for singers, speakers, and performers in live performances or studio recordings. Although it has a higher price point compared to other wireless microphone systems, the Sennheiser EW 500 G4 justifies its cost with its exceptional sound quality and durability. But one area it severely lacks is its battery life of only 8 hours, which may not be sufficient for longer events or recording sessions. That being said, the Sennheiser EW 500 G4 with e 935 capsule is one of the best professional wireless microphones for live vocals.

Audio-Technica ATW-3212/C710DE2

The next best handheld wireless microphone system on this list is the Audio-Technica ATW-3212. It consists of an ATW-T3202 rugged handheld transmitter with an ATW-C710 condenser cardioid capsule and an ATW-R3210 true-diversity rackmount receiver. 

 While the earlier Shure wireless microphone systems used the SM58 and PG58 dynamic cardioid capsules, the Audio-Technica ATW-3212 stands out with its high-quality ATW-C710 condenser cardioid capsule. This condenser capsule provides a clear and detailed sound reproduction compared to the other two, making it ideal for professional vocal performances and studio recordings. Additionally, the ATW-C710 is an interchangeable cardioid condenser microphone capsule compatible with the ATW-T3202 handheld transmitter and can be used with other compatible handheld transmitters. 

The handheld wireless transmitter, the Audio Technica ATW-T3202, works with the 3000-Series wireless microphone systems. It has a 60 MHz UHF tuning bandwidth in each of the four available frequency bands and can operate with several Audio-Technica interchangeable microphone capsules, in this case, the ATW-C710. It also features a soft-touch power/mute switch, a multifunction button, a high-contrast OLED screen, and a rugged metal housing. 

For the receiver, the Audio-Technica ATW-R3210 is designed to work seamlessly with the ATW-T3202 transmitter. It has a true diversity reception system that ensures reliable signal transmission and minimizes dropouts. The receiver also includes advanced features such as automatic frequency scanning, dual-mode antenna power, and a high-resolution LCD screen for easy monitoring of audio levels. With its robust construction and user-friendly interface, the ATW-R3210 receiver is an ideal choice for professional audio applications.

It has an auto-squelch feature, so users can enjoy a seamless experience without worrying about interference. Additionally, the antenna power option allows for flexibility in configuring the system to meet specific needs. Its impressive dynamic range and low latency of 2 ms ensure that audio signals are transmitted accurately and without delay. With support for up to 40 simultaneous channels per band and compatibility with up to 10 systems per frequency band, this wireless microphone system is ideal for large-scale events and productions.

Audio-Technica ATW-3212/C710DE2 Specifications

• System type: UHF
• Operating range: Up to ~330 ft line-of-sight
• Microphone type: Condenser
• Microphone polar pattern: Cardioid
• Microphone frequency response: 40 Hz – 20 kHz
• Microphone Sound Pressure Level (SPL):148 dB SPL
• Transmitter type: Handheld
• Transmitter battery: 2 AA batteries (1.5V alkaline)
• Transmitter battery life: Up to 8 hours
• Receiver type: Metal rack mount
• Receiver output: XLR, 1/4″ TRS
• Receiver display: High-contrast OLED
• Receiver Dimensions: 43.4 mm x 210 mm x 191 mm (H x W x D)
• Receiver Power Supply: 100-240V AC (50/60 Hz) to 12V DC 1A (center positive) switched mode external power supply
• Simultaneous systems per band: Up to 40 channels

Pros

• Professional-level sound quality with ATW-C710 condenser cardioid capsule
• Great performance with true-diversity receiver with auto-squelch feature
• Great flexibility in frequency selection
• Dual-mode OLED screen and intuitive interface
• Good operating transmission range
• Supports upto 40 simultaneous systems per frequency band

Cons

• Might not be compatible with some existing wireless microphone systems in the same frequency band

What’s in the box?

ATW-T3202 handheld transmitter | ATW-C710 Condenser microphone capsule | ATW-R3210 True diversity receiver | Rack kit | Two flexible UHF antennas | AC adapter

Verdict

All in all, the Audio-Technica ATW-3212 is one of the best wireless microphone systems for stage performances or other live events. It comes with an ATW-3202 handheld transmitter, where you have the option to attach the capsule of your choice. In this review, we’ve chosen the ATW-C710 condenser cardioid capsule.

Additionally, this wireless microphone system’s true-diversity receiver with auto-squelch feature ensures a reliable and interference-free signal, while the dual-mode OLED screen and intuitive interface make it easy to navigate and adjust settings.

With a good operating transmission range and support for up to 40 simultaneous systems per frequency band, it offers great flexibility for large-scale productions. However, it’s important to note that it may not be compatible with certain existing wireless microphone systems in the same frequency band. That being said, the ATW-3212 is a really good wireless microphone system with one of the best wireless microphone transmitter and receiver combinations on the market. Also, despite being a professional wireless microphone system, it is not that expensive compared to other similar systems.

AKG Pro Audio WMS470

When it comes to professional wireless microphone systems, the AKG Pro Audio WMS470 is also a great choice. It is an analog system that offers reliable and high-quality audio performance and the ability to use up to 20 channels simultaneously on a single frequency band or 48 channels when combining bands. 

This wireless microphone system consists of the HT470 handheld transmitter and the SR470 receiver. The HT470 transmitter features a rugged design and interchangeable microphone capsules, allowing for versatility in capturing different types of audio. You can either choose the C5 condenser microphone capsule for capturing vocals with clarity and detail or the D5 dynamic microphone capsule for powerful and robust sound reproduction. 

 However, in this review, we’ll be looking into the C5 condenser microphone capsule specifically. The C5 capsule is known for its exceptional audio quality and sensitivity, making it ideal for professional and demanding vocal performances. It delivers clear and crisp sound with a wide frequency response range, ensuring that every nuance of the singer’s voice is captured accurately. Additionally, the C5 capsule has a cardioid polar pattern, which helps to minimize background noise and feedback, resulting in a clean and focused sound output. The sound handling capability of this device is also very impressive, with an SPL (Sound Pressure Level) of 140dB, making it impossible to overload even when the loudest singers are nearby.

 What is even more exceptional for the C5 capsule and the HT470 transmitter is the 14 hours of battery life you get from just one AA lithium dry battery. This ensures that you can rely on the C5 capsule and HT470 transmitter for long performances without worrying about battery replacements. Also, you can use the normal AA alkaline batteries as a backup option if you run out of dry lithium batteries. Still, they’ll offer far less battery life compared to dry lithium batteries. 

Moreover, this system has a special feature called the Pilot Tone. It helps the user avoid any sudden startup noise and always sends the transmitter data, including details about the battery level, to the receiver. Additionally, the Pilot Tone feature also helps in maintaining a stable and interference-free connection between the transmitter and receiver, resulting in high-quality audio transmission. 

The SR470 receiver has a user-friendly interface with easy-to-read displays and intuitive controls, making it simple to set up and monitor your audio. It also comes with a useful rackmount kit and only takes up half a rack space. So, if you want to expand your rig in the future, the SR470 receiver allows for seamless integration with other compatible audio equipment. 

With its exceptional audio quality and reliable performance, the WMS470 wireless microphone system is ideal for professional audio applications such as live performances, conferences, and broadcast productions. 

AKG Pro Audio WMS470 (C5 Vocal Set) Specifications

• System type: Analog UHF
• Signal to Noise Ratio (SNR): 120 dBA
• Microphone type: Condenser
• Microphone polar pattern: Cardioid
• Microphone frequency response:
• Microphone Sound Pressure Level (SPL):140 dB SPL
• Transmitter type: Handheld
• Transmitter battery: One AA battery
• Transmitter battery life: Upto 14 hours (AA Lithium dry battery)
• Receiver type: Metal rack mount
• Receiver output: XLR, 1/4″ TRS
• Receiver display: Backlit LCD
• Receiver Dimensions: 44 mm x 202 mm x 190 mm
• Receiver Power Supply: 12 V DC power supply
• Channel selection: Auto/Manual
• Simultaneous systems per band: Up to 20 channels (48 channels when combining multiple bands)

Pros

• C5 condenser mic capsule that delivers detailed voice reproduction
• High quality sound & reliable performance
• Long battery life
• Backlit LCD on receiver
• Supports upto 48 channels when you combine multiple bands

Cons

• Not compatible with some other AKG wireless systems

What’s in the box?

SR470 Receiver | HT470 Handheld Transmitter with C5 Condenser Microphone Capsule | Rackmount Kit | Stand Adapter | AA battery | Universal Power Supply | 1/4-wave Antennas | 2 x BNC UHF Antennas

Verdict

The AKG Pro Audio WMS470 with the C5 vocal microphone capsule is definitely one of the best wireless microphones for stage performances. It has a diverse set of features and capabilities that make it suitable for professional use. Additionally, its long battery life ensures uninterrupted performance during long events or recording sessions.

Electro-Voice RE3-ND96 Review

When it comes to wireless microphone systems, Electro-Voice might not be the top brand that comes to mind for many people. The earlier microphone system on our list, like the Shure, Sennheiser, Audio-Technica, and AKG Pro Audio are from some of the most popular names in the audio industry. However, Electro-Voice is challenging the big names and making a name for itself by offering products that are on par with, if not better than, those of its competitors. One such product is the Electro-Voice RE3-ND96 wireless microphone system. This wireless microphone system offers exceptional sound quality and reliability, making it a great choice for both professional and amateur users. 

This wireless microphone system consists of the RE3-HHT handheld transmitter with the ND96 dynamic supercardioid capsule and the RE3-RX Diversity Receiver. However, the most eye-catching feature of this system is the ND96 capsule. It differs from the other microphone capsules on this list in that its head is nearly flat and looks like it has been severed. The unique design of the ND96 capsule allows for excellent rejection of off-axis sound, resulting in clear audio capture. Additionally, the flat head design helps minimize handling noise, making it ideal for live performances and presentations where movement is involved. For battery life, the system uses two AA batteries that provide up to 8 hours of continuous use. 

 As for the receiver of this Electro-Voice microphone system, it is a UHF wireless diversity receiver called the RE3-RX. It is rack mountable and features clear frequency scan and sync functions for easy setup and operation. The RE3-RX receiver has a backlit LCD display for easy visibility in low-light conditions, and it displays battery status, channel, and other information. It also offers multiple output options, including balanced XLR and unbalanced 1/4″ outputs, for seamless integration with various audio systems. 

Electro-Voice RE3-ND96 Specifications

• System type: Analog UHF
• Microphone type: Dynamic
• Microphone polar pattern: Supercardioid
• Microphone frequency response: 30 Hz – 15 kHz
• Microphone Sound Pressure Level (SPL):136.5 dB SPL
• Transmitter type: Handheld
• Transmitter battery: 2 AA batteries (1.5V alkaline)
• Transmitter battery life: Up to 8 hours
• Receiver type: Tabletop & rack mountable
• Receiver output: XLR, 1/4″ TRS
• Receiver display: Backlit LCD
• Receiver Dimensions: 48 mm x 208 mm x 155 mm (H x W x D)
• Receiver Power Supply: 12 to 15 VDC
• Channel selection: Auto/Manual

Pro

• Good vocal performance
• Quick and easy setup process
• Delivers excellent acoustic control
• Provides high gain before feedback
• Clear frequency scan and sync function

Cons

• Battery life could be better

What’s in the box?

RE3-HHT Handheld Transmitter | ND96 Dynamic Supercardioid Microphone Capsule | RE3-RX Diversity Receiver | Rack Mounting Hardware | 2 AA Batteries | Microphone Stand Adapter | Universal Power Supply | Two Receiver Antennas | User Manual & Documentations

Verdict

Despite not being from a well-known brand, the RE3-ND96 wireless microphone system offers a reliable and professional audio solution. The ND96 dynamic supercardioid microphone capsule is best for vocal performances and presentations. The entire system is easy to set up and use, making it suitable for both beginners and experienced users. The RE3-RX diversity receiver ensures a stable and interference-free signal, while the included rack mounting hardware allows for convenient installation in any setup. They deserve a spot on our list of the best wireless microphones for singers and other live performers.

Conclusion

Investing in a wireless handheld microphone can greatly enhance a singer’s performance by allowing them to move around and engage with the audience without any restrictions. All of the reviewed options in this article are the best wireless microphones for singers available on the market today. They are all perfect for small or mid-sized events. However, if you want one for a larger event or a professional setting, most of these wireless microphone systems are scalable and can be expanded to accommodate larger venues or multiple performers.